Magnetic Feel

Louison

Louis de Mieulle is reborn as Louison to present his first 100% electronic album. Synthesizing his classical European upbringing with shameless American exuberance.

MAGNETIC FEEL

Sci-fi music suite for future times, evoking « The edifice of the universe which, with its infinitely large, its part on the human scale and its infinitely small, rests
Louis de Mieulle is reborn as Louison to present his first 100% electronic album. Synthesizing his classical European upbringing with shameless American exuberance.

MAGNETIC FEEL

Sci-fi music suite for future times, evoking « The edifice of the universe which, with its infinitely large, its part on the human scale and its infinitely small, rests on the unity of two contrary and complementary charges. » (V. Vasarely)

DIGITAL POETRY

Electro symphony for emotional machines. Tribute to the 70s (Canterbury scene, synthprog), as well as 80s Sci-Fi film scores. Progwave? Electrofusion? Given the choice, it would be: "CYBERPROG".

CLASSICAL HERITAGE

Playful counterpoints, unheard harmonies, epic grandeur. The cyclical form of the album (pattern re-use/variations) strengthens unity and gives the variations a semantic, even esoteric value. Classical: Louison's favorite music, timeless, far from human trends and their crass vulgarity.

TRIBUTE TO THE COSMOS

After an introduction presenting the themes to come (Prologue), you'll witness star dances (Galactic Rondo, Stargazing, Galaxian Explosion); A poetization of physical phenomena (Conservation of Energy, Electron-Positron); And the end of Homo Sapiens (Human Epilogue), and of the Universe itself (Big Freeze, Big Rip).
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Watch the singles "JAZZ VIRUS" and "STARGAZING"

Visuals by French artist TEURK

Ferrofluids and paint reacting to a magnet... TEURK - among other things, founded

"CHEMICAL BOUILLON", which specializes in filming the graphic aspect of chemical reactions.

MAGNETIC FEEL Teaser #2

MAGNETIC FEEL Teaser #1

SID€SHOW 2

Louis "Louison" de Mieulle

“Icy tones. Especially of note here is de Mieulle’s bass tone. It’s a crunchy, biting tone, and this tonal aggression fits the darker mood of Sidshow 2. [...] The individual instruments seem to be working around one another, rather than together. This observation isn’t a complaint, though, as that approach is effective at enhancing the mood.” (The
“Icy tones. Especially of note here is de Mieulle’s bass tone. It’s a crunchy, biting tone, and this tonal aggression fits the darker mood of Sid€show 2. [...] The individual instruments seem to be working around one another, rather than together. This observation isn’t a complaint, though, as that approach is effective at enhancing the mood.” (The Elite Extremophile)


Circus freak-jazz reverie interpolating emotional counterpoints, ambient synth-hop, and disjointed dissonant riffs.

This second Sid€show concept album tells the story of a tormented Two-Headed Kid, a bellicose Giant Fly, and an adorable Dwarf Elephant.
The intermission act presents the classic crowd-pleaser Bed of Snails.

The two keyboardists alternate dreamy and nightmarish soundscapes over steady yet intricate drum/bass loops.
Four musicians improvising live arrangements of character pieces.

Another chapter in Louis' post-Canterbury neoclassical fusion.
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